The Analects Moderationthe: the benevolent love mountains, the knowledgeable love waters. “Le” culture has been associated with landscape for a long time and profoundly impacted classical gardens. From the “humanize and human virtue” of the “ritual and music ” culture in the Western Zhou Dynasty, to the gentleman’s delight that Confucius and Yan Hui pursued in the Spring and Autumn Periods, everyone’s “Le” advocated by Mencius, and the “hermit’s Le” described by Laozi and Zhuangzi, the “Le” culture developed in the direction of diversification. In the Song Dynasty, Neo-Confucianism was prevalent, and based on the pursuit of the Le of famous education, the thoughts of “Du Le” and “Zhong Le” developed and matured, becoming the main core of the cultural image of “Le” in the garden of scholars. Different “Le” culture guides different spatial behaviors of the garden and then forms different spatial paradigms. Under the influence of “Du Le” culture, two aesthetic paradigms of “Explore the scenery” and “Demonstrative quality” are formed. Under the influence of “Zhong Le” culture, three aesthetic paradigms of “Spectacular view,” “Banquet” and “Visit and appreciate” have been formed. “Le” culture influenced the change of the spatial pattern of scholar gardens and guided the direction of the further development of private gardens in the Ming and Qing Dynasties towards “Sumeru Mountain In A Mustard Seed”. The analysis of the types and construction characteristics of “Le” cultural images in the Song Dynasty has a positive theoretical supplementary significance for understanding the influence of “Le” culture on the development of Chinese landscape architecture and has a guiding significance for modern landscape architecture.